Ravi Coltrane: “Spirit Fiction” (Blue Note). Coltrane’s much anticipated debut on Blue Note represents a significant achievement, albeit a largely introspective one. Though the saxophonist – a son of Alice and John Coltrane – has proven that he can ignite a storm when so inclined, for this date he leads two distinct bands, each showcasing the signature translucence of his tone and nimbleness of his thought. Unconventional phrasings and surprising silences, transparent ensemble textures and provocative harmonic choices stand at the core of most of this music, whether penned by Coltrane or others. Yes, sonic distinctions are unmistakable between Coltrane’s long-standing quartet (with pianist Luis Perdomo, bassist Drew Gress and drummer E.J. Strickland) and an edgy quintet (featuring trumpeter Ralph Alessi, whose compositions figure prominently here, plus pianist Geri Allen, bassist James Genus and drummer Eric Harland). Yet it’s Coltrane’s elusive melodic gestures and ethereal ensemble sounds that linger longest in memory, especially in the daring, free-ranging improvisations of “Roads Cross,” which opens the album, and the serene melody making of Coltrane’s “The Change, My Girl.” Noted saxophonist Joe Lovano co-produced the recording with Coltrane, and Lovano picks up his tenor saxophone for a hard-charging version of Ornette Coleman‘s “Check Out Time” and intricate duets with Coltrane on Paul Motian‘s “Fantasm.” Ultimately, Coltrane has given listeners a great deal to ponder in this album, a musically adventurous recording that may be challenging for casual listeners but rewards repeated listening.
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